Andreas Spering is one of the leading specialists in historically informed performances. He was strongly influenced by his studies with Gerd Zacher in Essen and his position as harpsichordist with Musica Antiqua Köln and Reinhard Goebel (1990-1994).

Since 1996, Andreas Spering has been Artistic Director of the Brühl Castle Concerts Festival and the Capella Augustina, which he founded. Since 2002, this festival has focused on the works of Joseph Haydn, and Andreas Spering has thus established the first and only annual Haydn festival in Germany.

As an opera conductor, Andreas Spering regularly conducts at many well-known houses such as Gothenberg, Gent, Antwerp, Luxembourg, Sevilla, Hannover and Essen, where he conducted productions such as The Abduction from the Seraglio, Don Giovanni, Le nozze di Figaro, Cosi fan tutte, Fidelio, Der Freischütz, Rinaldo and Almira. With the Bayerische Theaterakademie at the Prinzregententheater in Munich he led a new production of Mayr’s Adelasia e Alermano. In France, he has worked at the Festival d’Aix-en-Provence where he conducted Mozart’s Don Giovanni in 2010 and was immediately re-invited for performances of Mozart’s La finta giardiniera two years later. During his time as Music Director of the Handel Festival in Karlsruhe, he conducted many of Handel’s operas. In 2016 Andreas Spering conducted a new production of Le nozze di Figaro at the Royal Operahouse in Copenhagen, in 2017 he will join the Aalborg Symphony Orchestra again for Le nozze di Figaro.

Andreas Spering has collaborated with orchestras including the Royal Scottish National Orchestra, Gothenburg Symphony Orchestra, Stavanger Symphony Orchestra, Copenhagen Philharmonic Orchestra Orquesta y Coro Nacionales de España, Orchestra Sinfónica de Euskadi, Philharmonie Zuidnederland, Musikkollegium Winterthur, Zürcher Kammerorchester, Kammerorchester Basel, Ensemble Orchestral de Paris and the New Japan Philharmonic Orchestra. In Germany, he has worked with the Gewandhausorchester Leipzig, Bamberger Symphoniker, Staatskapelle Weimar, Dresdner Philharmonie, Beethovenorchester Bonn and the radio orchestras of Hannover, Cologne, Leipzig and Munich. This season, Andreas Spering has been invited to perform wirh the Orquesta Barocca de Sevilla, the Aalborg Symphony Orchestra and the Mozarteumorchester Salzburg.

Known for his thoughtful choice of repertoire, Andreas Spering discography includes Handel’s Siroe and Imeneo and the first ever recording of Reichardt’s Erwin and Elmire. In 2005, the recording of Haydn’s Die Schöpfung performed on period instruments (Naxos) received international critical acclaim. The recording of early Haydn cantatas was awarded by the magazine “Le Monde de la Musique.”, Haydn’s seldom performed oratorio Il ritorno de Tobia (Naxos) received the German Recording Award 2008. Both Brahms serenades (cpo) were released in 2008, Haydn’s Applausus was released in 2010. Last season, a recording of Mozart Arias with the Kammerorchester Basel and Sabine Meyer was released by Sony and gained international acclaim.


The French-Armenian violinist Chouchane Siranossian is one of the most engaging talents of her generation and has firmly established her reputation in historical performance as well as in modern music. Her deep knowledge of historical performance practices along with her exceptional virtuosity opens a new dimension for the interpretation of her vast repertoire.

Chouchane Siranossian studied with Tibor Varga, Pavel Vernikov, Zakhar Bron and Reinhard Goebel and is regularly invited as both soloist an concert master by numerous orchestras including Staatskapelle Dresden, Deutsche Kammerphilharmonie Bremen, Budapest Festival Orchestra, Concerto Köln, Hofkapelle München and Anima Eterna. She is concert master of Capella Augustina and Ensemble Esperanza.

Chouchane Siranossian played with Bertrand Chamayou, Michel Béroff, Philippe Bianconi, Daniel Ottensamer and Thomas Demenga as well as with historical performance specialists such as Jos van Immerseel, Marc Minkowski, Christoph Prégardien, Alexis Kossenko, Christophe Coin, Valer Barna-Sabadus, Rüdiger Lotter, Roy Goodman, Michael Hofstetter, Dorothee Oberlinger, Kristin von der Goltz, Rudolf Lutz, Andreas Spering, Reinhard Goebel and Thomas Hengelbrock. Her great interest in contemporary music is reflected by her co-operation with various composers such as Bechara El Khoury, Daniel Schnyder, Marc-André Dalbavie and Eric Tanguy.

In 2016, a duo-program with Jos van Immerseel has been released by Alpha Records. In 2015 Chouchane Siranossian recorded as solist for Sony DHM. Her first Solo-CD "Time Reflexion" (OehmsClassics) was awarded with the prestigious Diapason Découverte. She has made live recordings for broadcasts such as Mezzo, WDR, NDR, BR, SRF, ORF, Radio classique and Radio Suisse Romande.

In autumn 2016 Chouchane Siranossian has been touring as a solist with Anima Eterna (Tzigane, Zigeunerweisen and Mendelssohn's violin concerto in e-minor) and has performed Beethoven's violin concerto on gut strings in the Kölner Philharmonie.

Chouchane Siranossian plays a baroque violin by Giuseppe & Antoine Gagliano (1795) and a Giovanni Battista Guadagnini (1770), provided by the Boubo-Music foundation.
Chouchane Siranossian
Cécile Dorchêne
Gudrun Engelhardt
Shant Eskenian
Danylo Gertsev
Katja Grüttner
Malina Mantcheva
Christoph Mayer
Emilio Percan
Gabriele Steinfeld
Fiona Stevens
Monica Waisman

Christian Goosses
Johannes Platz
Gabrielle Kancachian
Xandi van Dijk
Markus Möllenbeck
Inka Döring
Davit Melkonyan
Kathrin Sutor
Andreas Müller

Double bass
Miriam Shalinsky
Jörg Lühring
Michael Schmidt-Casdorff
Ingo Nelken
Annie Laflamme
Daniel Rothert

Ina Stock
Clara Blessing

Benjamin Reissenberger
Odilo Ettelt

Györgyi Farkas
Katrin Lazar
Christian Binde
Oliver Kersken
Elke Schulze-Höckelmann
Jörg Schulteß

Almut Rux
Norbert Vohn
Laura Vukobratovic

Wiebke Weidanz
Luca Quintavalle